Biography of Fernando Botero Essay Example for Free

register of Fernando Botero EssayFernando Botero, also named the most Colombian of Colombian deviceists, has take oned a style the world notices as his own. Fernando was born in 1932 in Medellin, Colombia. Fernando came across heavy schooling as a child, which isolated him from tralatitious art in museums and such(prenominal) cultural institutions. It was his strict school however that brought art to be an delight for Fernando, the school Botero attended was run by Jesuits who were strict and brought little cheer into Boteros life. To find enjoyment Botero began to draw at a young age.At that young age his inspiration was anything that interest him such as bullfighting. Fernando was a great fan of bullfights so he would paint scenes of this then sold them in front of the arena for 5 pesos. He spent n ahead of time two years painting this subject. He had a growing interest in art his entire life he shared his thoughts, and studied. When Botero was xvii he worked for the Me dellin newspaper, El Colombiano, titled Picasso and the Nonconformity of Art, which takeed Boteros mind and how it is linked with art.Botero is so well cognize because of his signature style, robust and round objects and characters. Botero tells critics that he is simply attracted to his form without hunch overing why. He claims that artists never know why artists use a form, he claims the style is intuitive and that the explanation for their style can be rationalized after its adopted. Botero is difficult to understand, as he doesnt share his opinion with his art or even explaining his art. He shares his vision with us but not telling us how to relish roughly it. Navas- Nieves says. We know his works are personal as some of his famous works depict his youth, The Bishop, The conical buoy, The Bullfighter, and The Widow.It is unknown to all except Botero however if these drawings reflect the ravisher with these no proportional, buttony colored, exaggerated sized or the turmoil . Botero eliminated brushwork and texture in his paintings as he favored a smoother look. Boteros works are abstract and are educated by a Columbian facts of life and social commentary. When Colombian children go to church they see all these Madonnas, so clean and perfect. In sulphur America china-like perfection is very much a part of the ideal toilet of beauty.More so even than the polychrome wood sculptures in Spain, Latin American sculptures look like porcelain. So, in crease to Europe or North America, you connect the notions of art and beauty at a very early age. I grew up with the idea that art is beauty. All my life Ive been trying to produce art that is exquisite to discover all the elements that go to make up visual perfection.When you come from my background you cant be spoilt by beauty, because youve never really seen it. If youre born in Paris, say, you can see art everywhere, so by the time you come to create art yourself youre spoilt youre tired of beauty as suc h and want to do something else. With me it was quite different. I wasnt tired of beauty I was hungering for it. Botero state this knowing he was not raised with art, which is his beauty. The lack of art in his life made him develop such an original style. The church influences Botero, his baroque style was adopted from the church.Botero is the most Colombian of Colombian artists because of his breakup from international trends. Botero once remarked A painter can do things a photographer cant do, because a painter can make the invisible visible. This thinking lead Botero to create a serial of serious paintings about prisoner abuse in Abu Ghraib. Botero, through his paintings in this serial publication allowed us to feel the prisoners suffering. The paintings brought us to the agony of the victims, the humiliation they felt and all the pain was transferred from the painting to us, making us the victim.This series proved moreover Boteros skill of art. Many critics thought the seri es was out of Boteros group discussion claiming that Boteros style cannot do justice to the seriousness of the subject. Botero proved the critics wrong when he captures the emotion of the victims. The exit between photographs and paintings are that photographs come with a story. Just something that happened. They can be beautiful but paintings show affects and emotion and thoughts and different depictions. Much more thought goes into a painting, which sets the two apart.